Food for Thought – Hurston

This month’s quote is from a writer. I learn so much from reading all kinds of artists – dancers, writers, actors, musicians – speak about their process. I don’t feel it’s that different in other mediums. 

“Perhaps, it is just as well to be rash and foolish for a while. If writers were too wise, perhaps no books would get written at all. It might be better to ask yourself ‘Why?’ afterward than before. Anyway, the force from somewhere in Space which commands you to write in the first place, gives you no choice. You take up the pen when you are told, and write what is commanded. There is no agony like bearing an untold story inside you.”

Zora Neale Hurston from Dust Tracks on A Road

What about you? Is there anything in Zora’s words you can relate to? We would love to hear your thoughts in the comments section below.

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Food for Thought: Gerhard Richter

Gerhard Richter Painting movie last week. Definitely would recommend it if you are interested in painting in general, and his work in particular. I think he is an interesting painter, definitely not one of my favorites, but I rarely miss an opportunity to watch a documentary on an artist.

I have a book of interviews with Richter and his own writings called The Daily Practice of Painting: Writings 1962 – 1993 from which I pulled this month’s quote:

“Pleasure is only one aspect [of painting]. Nothing can be done without it; but if that’s all there is to it, it merely bores and irritates the viewer. The objective side has to come in, through which painting offers something of universal interest: a statement, a new quality, an advance – something the other person can do something with.”

Your thoughts? Agree? Disagree?

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Have you ever gotten paint on your clothes?

Ever gotten paint on a favorite item of clothing, carpet of piece of furniture?

This is hands-down my most popular video on youtube:

This method works for the toughest dried on acrylic paints and mediums as well as oil paints AND it’s a non-toxic, biodegradable product.

Another tip – my husband and I have restored 3 different hundred + year-old homes and I have used this product to safely soak layers and layers of the paint off of intricate hardware.

Andrew Lenz owner of Lenz Arts in Santa Cruz claims it “saved his marriage” after he tracked tar in the house and nothing else he tried would remove it from the carpet.

Hope this helps!

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How to Do Stain Painting with Acrylics- Video Tutorial & Art Workshop

A lot of people recently when I tell them about my next in-person workshop have been asking me “What exactly is stain painting?” So I thought I would show you rather than tell you. In the late 50s and early 60s there was a move towards creating abstract canvases in which color became the primary subject matter and the paint itself practically merged with the surface. These painters created fields of color on large canvases which might envelop the viewer with their scale.  were some of the known “Color Field” painters among many others. Helen Frankenthaler and Morris Louis invented a particular type of Color Field painting called Stain Painting in which the liquid paint seeps into the fibers of an unprimed canvas.

© 47 Untitled, 1946

Here is a video from a talk I did at Portland State University in Oregon showing some simple preliminary steps to getting started with this gorgeous technique.

You can see from these photos, I like to encourage people to work large and get their whole body into it! We’ll be doing some yoga stretches to warm up – but don’t worry if your body won’t allow sitting on the floor, I have a big studio and plenty of table space, too.

These were taken in 2009 and 2011 in North Carolina. May 5 will be  the first time I have ever taught this workshop on the West Coast.

It’s a beautiful technique and so much fun to try! Come join us for an all-day workshop in my studio in Emeryville, CA Saturday, May 5. Click here to register.

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Inspirational quote-of-the-month – something savory and nutritional for your creative self…

Boredom is very important. Boredom is the origin of any good idea.

Francesco Clemente

Interview with Charlie Rose August 20, 2008

I have so many ideas and so much creative energy I cannot remember the last time I experienced boredom. On the advice of one of my mentors, I’ve decided this year to focus on a single body of work (Well, I need to complete some other projects first, but believe me, I have completely stowed away some works-in-progress because my tendency is to go off in a million directions!) I’m actually kind of excited to see if I experience some boredom in the studio and I’m wondering where it will lead me.

What do you think? Does boredom help you or hinder you? Please share your thoughts below. I’m curious to know.

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Is That All There Is?

A dear artist friend of mine recently finished a major commission. (SO excited for her and proud of her!) However, she mentioned she’s feeling a little let down after all the hard work she put in to get it finished on a tight deadline. She’s left with that feeling: Is that it?

It reminded me of a story I heard about an artist who achieved the distinction and recognition of being included in the Whitney biennial in her early 20s- an achievement that many contemporary American artists covet and aspire to. And yet, as she was riding the bus after the opening and she described an empty feeling and a similar thought. So that was it?

(Depending on where you are right now with your career you may be saying to yourself, If only I had such problems!)

But this kind of post-event let down brings up a question all of us face: Why are we doing this stuff in the first place? Because I’m sure many of you, like me, have these benchmarks – things we want to achieve because we think we’ll feel better when we get them.

I’ll be really happy when…

I get in that gallery.

Someone buys my work.

I get in the Whitney Biennial.

We might get so caught up in reaching that goal, completing a body of work or preparing for an exhibition that we forgot to feel happy with where we are right here and now. We may neglect to appreciate the present moment and our current situation.

I know in my own life I have had different dreams for my art. For instance, when I was in my 20s I always wanted to travel abroad for my art and have shows in different countries. I dreamed of exhibiting my work in museums. Now that I’ve achieved these things I want even bigger things. I want to be in bigger museums and better known venues. I compare myself to others who have achieved things I have not and I forget to appreciate all that I have created and all that I have achieved. This isn’t good enough. What’s next?

There are always things to appreciate no matter where you are in your career. It’s great to always be looking forward and to have big dreams visions and goals to help us move forward.

But actually the true joy and excitement is in the day-to-day!

We live only in the present moment.

Honestly, nothing else exists. Everything else is just dreams (the future) or memories (the past).

We got in this racket to enjoy the creative ride!

Every dream or goal is to inspire some kind of fun action that we can savor while we are in the moment.

Moment by moment by moment.

Contrary to popular myth it’s not about some kind of arrival, some pinnacle, some accomplishment.

Think for a moment about all the unfulfilled dreams and wishes you have currently for your creative or professional life. Now ponder what exactly is it that you hope you will feel when you’ve achieved this dream? Will you feel more successful? Will you feel happier because you’ll feel validated as an artist? Will you feel better when your work is recognized? Or that other people will take you more seriously as an artist?

Is there a way you can validate yourself right now? How can you appreciate or recognize yourself as you are in your current state?

Now, pause to savor this very moment. Breathe deeply. Feel your body against the chair, hear the hum of your computer. Receive the sounds around you near and far. The drip of the faucet, a bird, the neighbor’s thumping bass? Notice the colors and textures in your vicinity. Close your eyes and allow a faint smile to lighten your lips. Can you keep breathing and relaxing until you can touch on the exquisiteness and the preciousness of this present moment?

I’d love it if you’d share in the comments below something small (or big!) that you treasure and cherish in your current life. Be it the fact that you are blessed to have a box full of art supplies to make your work, or the fact that you have a space to work in or the fact that you have these gifts or skills or you have a family member or a friend or a teacher who is supportive of your endeavors.

Isn’t it wonderful that I have this connection to my creativity?

How great it is that I have had ideas and new ones keep flowing through me!

Isn’t it sweet that I am reading this article because I’m committed to supporting myself mentally, emotionally spiritually as a creative person?

Whatever it is, I invite you to appreciate that now and do not let go of your dreams!

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