Worst Mistake Acrylic Painters Make

After one of my acrylics talks a few years ago, an artist pulled me aside and said,
“Now, I finally understand why my paintings are falling apart! I wish I had known what you just taught me 10 years ago!”

My heart went out to her. I’ve made more technical mistakes with my art over the years than I care to recount. That’s why I’m so passionate about sharing with artists how to build a sound and stable paint film.

I don’t want to hinder anyone’s creative process. That’s the last thing I want! That’s why I offer some sound alternatives here to get the same look without harming the paint film.

Please, please share this info with all your painter friends, artists groups, classes, professors, etc. I’ve found in the 15 years I’ve been teaching this to artists of all levels from those with 40 years experience and paintings in museums to the absolute beginner, only about 5% have ever heard of underbinding. Let’s make sure no more artists have their paintings fall apart by something that could easily be avoided.

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Food for Thought: David Hockney

David Hockney painting a car in 1995.

“Any artist will tell you he’s really only interested in the stuff he’s doing now. He will, always. It’s true, and it should be like that” 

 

– David Hockney

 

What about you? Are you only interested in the work you are currently involved with? Or do you tend to look back on older work? Do you ever feel the work you created in the past is stronger or better work than the work you are presently engaged in?

Do you cherish your older work in such a way that you  have a hard time selling it because of your attachment to it?

How does this impact your getting your work out into the world? Do you ever delay sending out work because the next body of work will be even better?

Let’s get the conversation started! Please leave your comments below.

 

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What Inspires You?

 

In this feature, each month artists share one thing that excites them creatively.

One key piece to support healthy, productive creativity is stimulating inputs. What kinds of things stimulate the creative centers of the brain? What kind of inputs stimulate us visually? Emotionally? Spiritually? Mentally? Physically?

I’d really like to know, what’s one thing that fills your creative cup? Share with us in the comment section below.

 

What Inspires You?
Dave Reid


I’m inspired by science (nanotechnology, for example), colour, other cultures, history (West coast native art is great), form and sky. Often one thing will lead to another; I’m working on some pictures for an upcoming show – one picture took an abrupt turn, which I followed and am now learning new aspects from this.

Dave Reid

 

What Inspires You?
Sean Glenn

Life is what inspires me: the authenticity of each emotional experience lends validity to each brush stroke. What inspires is sometimes the pain that comes with living, it’s joys, it’s sorrows, it’s triumphs and  it’s losses. What inspires me is love.

Sean Glenn

http://www.wix.com/blacincworks/blacin-art

 

 


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What Inspires You?

In this feature, each month artists share one thing that excites them creatively.

One key piece to support healthy, productive creativity is stimulating inputs. What kinds of things stimulate the creative centers of the brain? What kind of inputs stimulate us visually? Emotionally? Spiritually? Mentally? Physically?

I’d really like to know, what’s one thing that fills your creative cup? Share with us in the comment section below.

 

 

What Inspires You?

Linda Ursin

What inspires me?

Anything and everything. It’s hard for me to pick one. I can’t really say I know where it comes from. I’m multi-creative, which means I create in many different ways.

 

Linda Ursin
Website: heksebua.com/linda

 

What Inspires You?
Leo Anderson

What inspires me?

Ideas come from everywhere. God gave us a lot to work with and putting it together in a unique way intrigues us all. Make notes. Your mind is full and universal mind has all – so take notes on what comes to you. It doesn’t matter if you’re working on a thing or not. Put a date on it. Do everything you do perfect because it’s all only single steps. Nature is full, observe!

Leo

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Adding Texture to Your Paintings Using Ceramic Stucco & Flexible Modeling Paste

When I first switched over from oils to acrylics years ago – I was always trying to get away from the “plastic-y” look they had.

Then I discovered the array of gels and pastes that could take the standard paint texture from creamy to stiff to sandy to matte.

The two I show you in this video are still in my all-time favorites list.

Hope you enjoy it and let me know your thoughts! Have you used these before? What are your favorite acrylic gels? Any techniques you’d like to share?

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Why I Hate Ron Howard

 

 

 

 

 

 

 

 

 

 

 

I’ve got nothing against Ron Howard, really. Opie was a cute kid. But, forgive me, so far I can’t stand anything directed by the man. I find his style sappy and emotionally overwrought.

OK. That’s about as critical and mean-spirited as you will hear me get publicly. I even struggled with using the word hate in my title. In truth, I don’t hate anyone but I’m trying to make a point here.

I picked Ron Howard because I know he can take it and I know he’s probably a really wonderful and totally sincere guy who could care less what I think. And he has touched millions of lives with his work over decades of service as an actor, writer, director and, producer.


 

 

 

 

 

 

 

 

In fact, I’m certain many of you LOVE Ron Howard. (And if I insulted you with my opening paragraph, I apologize.)

I know many of you love mushrooms, too.

Can’t stand ‘em myself.

What I am trying to stay here is taste is purely subjective.

And that’s all it is. Taste.

Feel free to ignore the people who will try to tell you their taste is the taste. The correct taste. (Ahem – art teachers, professors and critics.)

As you send your work out into the world, some people will LOVE it.

Some will hate it.

Some will say “Meh.”

That doesn’t mean your work is good.

Or bad.

Or even Meh.

It’s just your work. It’s the work you do.

So when everyone is patting you on the back and giving you shows and buying your work it doesn’t necessarily mean you are brilliant.

And if NO one is paying attention and you continually get rejected neither does it mean your are an idiot who should give up and go do something else.

It means nothing.

It’s just ego stuff.

Because you love this thing so much – creating, making, innovating, birthing new projects.

To continually evolve and pull ideas from deep within.

To craft and hone and love them.

Your work is a gift of love to the universe and to yourself. (You are, after all, an integral part of the universe.)

Keep on, friend.

 

 

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