Remember How Much Fun Paint Can Be?
Do you remember the first time you painted? The pure joy of smushing paint about? The miracle of watching colors interact? The visceral thrill of seeing just what the stuff would do?
Sometimes, as we gain skills and get more “serious” about art, it’s easy to get caught up in outcomes and we forget just how fun paint can be as a material. But don’t you find that playfulness is often where you best “serious” discoveries occur?
Pouring with acrylics can take just about anyone back to that immediate delight of handling pure color. Here is a video to show you a basic technique with pouring :
But you ought to know there is SO MUCH more it can do! For instance, have you seen Brazilian painter Beatriz Milhazes’ exuberant canvas collaged with layers of acrylic sheets in eyepopping colors and forms?
I created this piece using pouring medium and string gel combined. See my post here for video with details on how I did it.
Here is list of materials that I used that will help you get started:
Happy Painting!
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Are you giving up too early on your creative ideas?
Have you ever been in your studio and had any of the following thoughts
This is a terrible idea. What was I thinking?
I should just give up. Why am I wasting my time?
Who am I kidding? I’m not an artist.
How on earth am I going to solve this one? It’s a wreck.
This work is making me hungry. (Strange, because I just ate lunch.) I’d better go fix myself a little snack.
All people involved in creative endeavors have these thoughts. What I’ve noticed is that experienced artists, musicians, writers, etc. don’t give up at this stage.
We know it’s just a stage.
I recently started a new piece that builds on several ideas and methods that I have been working with for the past five years. I hate what it looks like right now. Yuck. As I stepped back from it, I thought to myself, “It’s a good idea, but I haven’t worked it out yet.”
When a piece of creative work begins, there’s a honeymoon period. Life is good, the creativity is flowing. We are FULL of excitement. We are literally in love with what we are working on.
As it progresses, the creative process runs through other stages and just as in any relationship, it’s normal to experience challenges. Perhaps, we can’t quite get a handle on the medium, or what looked great the day before seems awful now. You can’t quite get the ideas rolling around in your head into any satisfying form. Your studio floods, your equipment fails, your collaborator flakes, an essential material isn’t behaving the way it usually does, it starts raining, the light changes. (Feel free to add to this list!) There are an infinite number of things that can go wrong.
Believe it or not, this is a normal part of the creative process! In fact, what I’ve learned over the years is that it’s a sign that a breakthrough is about to happen. But in order to access this new level of creativity, we must keep committed to task at hand.
Too often, beginners or artists who aren’t sure of themselves, and give up too soon on an idea. They listen to that negative voice and drop the project before it has had a chance to fully blossom.
It is through giving ideas our precious time and attention that they evolve.
 Michele Theberge ©2006 gouache and flashe on paper |
Inspiration rarely zings an idea fully formed into your brain with a downloadable set of step-by-step directions. Where’s the fun in THAT?
There are few feelings more exhilarating than moving through a stuck place or solving a creative problem.
This applies to nearly ANYTHING you are working on in your life. A relationship, a new job, a meal, a home improvement project, a business. If you give up too soon you’ll never get to see that potential the idea was hinting at when it sparked that first flame of excitement.
Is there an artwork (or anything else) in your life right now that you may have given up too soon on?
Would you be willing to give it a second chance? Can you step back from it and recognize it’s potential and say to yourself:
“It’s a good idea, I just haven’t worked it out yet.”
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The Beauty of Wabi-Sabi
Guest post by Lori Koop
My friend and colleague, Lori Koop, is a dedicated and gifted
ceramic artist with a deep vision for herself and others. Her work
and writing exemplifies this style we call wabi-sabi.
“If an object or expression can bring
about, within us, a sense of serene
melancholy and a spiritual longing, then
that object is said to be wabi-sabi.”
Wabi Sabi: The Japanese Art of Impermanence
When I began making ceramics three years ago, I knew exactly what I wanted to do… make ceramics that spoke. I needed to be authentic and real. Handmade imperfection, unglazed fired clay and irregular textured surfaces became the language.
 Betty Bowl © 2010 Lori Koop |
The Japanese term “wabi sabi” was used several times to describe the work. It describes both an aesthetic and a philosophy.
Wabi is rustic, simple and quiet. It refers to understated, subtle beauty. The quiet beauty that waits patiently to be discovered. It also refers to the natural quirks and irregularities that come from the process of construction, from being human.
Sabi is serenity that comes with age. The beauty of patina, visible wear and repairs. It is about the natural cycle of life – growth, decay and death. The cracks, the marks of time, weather and use.
Together, wabi sabi is about process, and it involves continuous change, evolution. Nothing is perfect, nothing is complete, and nothing lasts.
In it, we slow down. Live simply.
Fill with gratitude. Unclutter.
Lori offers an inspirational word each week in her “UPWord”. You can sign up here: www.moveUPWoRD.com
Hope Plaque © 2010 Lori Koop
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What’s so great about perfect?
Just what exactly is “perfect” and where do we formulate our notion of “perfection”?
I believe that perfectionism is the root of many an artist’s block.
I’ll never be good enough.
If I can’t do it as well as ____________, why try?
I’m not sure my idea is worthwhile.
What if I fail?
My project could never reach the beauty and perfection of the idea in my head.
We often talk ourselves out of doing something before we even get the chance to start.
I am reminded of something painter Agnes Martin once said:
“We cannot make anything perfectly but with inner contemplation of perfection, we can suggest it.”
I made this video because I’d like to invite you to pick up the reins of a project or piece that is waiting in the wings for the perfect time, the perfect place, materials, amount of money, the perfection of your skills, or whatever notion of perfection is preventing you from diving in.
See what happens.
And let us know, OK?
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