How to Do Stain Painting with Acrylics- Video Tutorial & Art Workshop
A lot of people recently when I tell them about my next in-person workshop have been asking me “What exactly is stain painting?” So I thought I would show you rather than tell you. In the late 50s and early 60s there was a move towards creating abstract canvases in which color became the primary subject matter and the paint itself practically merged with the surface. These painters created fields of color on large canvases which might envelop the viewer with their scale. were some of the known “Color Field” painters among many others. Helen Frankenthaler and Morris Louis invented a particular type of Color Field painting called Stain Painting in which the liquid paint seeps into the fibers of an unprimed canvas.
Here is a video from a talk I did at Portland State University in Oregon showing some simple preliminary steps to getting started with this gorgeous technique.
You can see from these photos, I like to encourage people to work large and get their whole body into it! We’ll be doing some yoga stretches to warm up – but don’t worry if your body won’t allow sitting on the floor, I have a big studio and plenty of table space, too.
These were taken in 2009 and 2011 in North Carolina. May 5 will be the first time I have ever taught this workshop on the West Coast.
It’s a beautiful technique and so much fun to try! Come join us for an all-day workshop in my studio in Emeryville, CA Saturday, May 5. Click here to register.
Leave a Comment
Inspirational quote-of-the-month – something savory and nutritional for your creative self…
Boredom is very important. Boredom is the origin of any good idea.
– Francesco Clemente
Interview with Charlie Rose August 20, 2008
I have so many ideas and so much creative energy I cannot remember the last time I experienced boredom. On the advice of one of my mentors, I’ve decided this year to focus on a single body of work (Well, I need to complete some other projects first, but believe me, I have completely stowed away some works-in-progress because my tendency is to go off in a million directions!) I’m actually kind of excited to see if I experience some boredom in the studio and I’m wondering where it will lead me.
What do you think? Does boredom help you or hinder you? Please share your thoughts below. I’m curious to know.
Leave a Comment
Making archival linen hanging tabs for works on paper
Yesterday, I needed to show my assistant Sarah how to create tabs for my drawings. I thought, hey! might as well share my technique with you, too!
Let me know what you think and also let me know if there are any other topics you’d like me to cover in a video tutorial.
Leave a Comment
Is That All There Is?
A dear artist friend of mine recently finished a major commission. (SO excited for her and proud of her!) However, she mentioned she’s feeling a little let down after all the hard work she put in to get it finished on a tight deadline. She’s left with that feeling: Is that it?
It reminded me of a story I heard about an artist who achieved the distinction and recognition of being included in the Whitney biennial in her early 20s- an achievement that many contemporary American artists covet and aspire to. And yet, as she was riding the bus after the opening and she described an empty feeling and a similar thought. So that was it?
(Depending on where you are right now with your career you may be saying to yourself, If only I had such problems!)
But this kind of post-event let down brings up a question all of us face: Why are we doing this stuff in the first place? Because I’m sure many of you, like me, have these benchmarks – things we want to achieve because we think we’ll feel better when we get them.
I’ll be really happy when…
I get in that gallery.
Someone buys my work.
I get in the Whitney Biennial.
We might get so caught up in reaching that goal, completing a body of work or preparing for an exhibition that we forgot to feel happy with where we are right here and now. We may neglect to appreciate the present moment and our current situation.
I know in my own life I have had different dreams for my art. For instance, when I was in my 20s I always wanted to travel abroad for my art and have shows in different countries. I dreamed of exhibiting my work in museums. Now that I’ve achieved these things I want even bigger things. I want to be in bigger museums and better known venues. I compare myself to others who have achieved things I have not and I forget to appreciate all that I have created and all that I have achieved. This isn’t good enough. What’s next?
There are always things to appreciate no matter where you are in your career. It’s great to always be looking forward and to have big dreams visions and goals to help us move forward.
But actually the true joy and excitement is in the day-to-day!
We live only in the present moment.
Honestly, nothing else exists. Everything else is just dreams (the future) or memories (the past).
We got in this racket to enjoy the creative ride!
Every dream or goal is to inspire some kind of fun action that we can savor while we are in the moment.
Moment by moment by moment.
Contrary to popular myth it’s not about some kind of arrival, some pinnacle, some accomplishment.
Think for a moment about all the unfulfilled dreams and wishes you have currently for your creative or professional life. Now ponder what exactly is it that you hope you will feel when you’ve achieved this dream? Will you feel more successful? Will you feel happier because you’ll feel validated as an artist? Will you feel better when your work is recognized? Or that other people will take you more seriously as an artist?
Is there a way you can validate yourself right now? How can you appreciate or recognize yourself as you are in your current s
tate?
Now, pause to savor this very moment. Breathe deeply. Feel your body against the chair, hear the hum of your computer. Receive the sounds around you near and far. The drip of the faucet, a bird, the neighbor’s thumping bass? Notice the colors and textures in your vicinity. Close your eyes and allow a faint smile to lighten your lips. Can you keep breathing and relaxing until you can touch on the exquisiteness and the preciousness of this present moment?
I’d love it if you’d share in the comments below something small (or big!) that you treasure and cherish in your current life. Be it the fact that you are blessed to have a box full of art supplies to make your work, or the fact that you have a space to work in or the fact that you have these gifts or skills or you have a family member or a friend or a teacher who is supportive of your endeavors.
Isn’t it wonderful that I have this connection to my creativity?
How great it is that I have had ideas and new ones keep flowing through me!
Isn’t it sweet that I am reading this article because I’m committed to supporting myself mentally, emotionally spiritually as a creative person?
Whatever it is, I invite you to appreciate that now and do not let go of your dreams!
Leave a Comment
Remember How Much Fun Paint Can Be?
Do you remember the first time you painted? The pure joy of smushing paint about? The miracle of watching colors interact? The visceral thrill of seeing just what the stuff would do?
Sometimes, as we gain skills and get more “serious” about art, it’s easy to get caught up in outcomes and we forget just how fun paint can be as a material. But don’t you find that playfulness is often where you best “serious” discoveries occur?
Pouring with acrylics can take just about anyone back to that immediate delight of handling pure color. Here is a video to show you a basic technique with pouring :
But you ought to know there is SO MUCH more it can do! For instance, have you seen Brazilian painter Beatriz Milhazes’ exuberant canvas collaged with layers of acrylic sheets in eyepopping colors and forms?
I created this piece using pouring medium and string gel combined. See my post here for video with details on how I did it.
Here is list of materials that I used that will help you get started:
Happy Painting!
Leave a Comment
Is your work important? Does it matter? Why bother?
I strongly recommend that every artist I mentor have a website or at least blog to share his or her work with the world. One of the artists I worked with once asked me:
“Who in the world needs another blog from a half-hearted artist?”
Who, indeed?
Who are we to say what the world needs or doesn’t need? It’s important to be able to step back from that voice and to recognize it for what it is. It’s the voice of our ego. Our ego prefers to be liked, to stay safe and protect us from criticism or negative reaction.
I want to remind you of your power as an artist. The power art has in general. Whether our audience is large or small, we all have the potential to positively impact others lives with what we do.
While the ego likes to stay safe it is also attracted to the seeming glamour of celebrity and fame. It’s a strange dichotomy, isn’t it?
So unless we are really, really big, unless lots and lots of people like and admire our work, it doesn’t seem worthwhile.
Take a moment now to recall anyone who has expressed even the smallest appreciation for something you have created. A brief compliment, an email, a note, a thumbs up.
Now savor that moment slowly for what it was. Really feel into it and allow it into your being, your body, your heart.
You touched another person’s heart, even for that moment, in some humble way.
Where there was one, there could easily be hundreds. (It’s a big planet, you know.)
It is tempting to keep things safe and play a small and familiar arena. It’s tempting to avoid the risk and vulnerability of putting ourselves and our work out for the world to see. It is so much easier. We need not take the time nor make the effort.
But how do you know that someone wouldn’t be inspired by, love, or really want to see your blog? How do you really know this?
Aren’t there plenty of other artists who have inspired you? Are you glad for their online presence? Isn’t it wonderful to live in an age where we can access inspiration from other artists’ work past or present with the click of a mouse?
Who are your favorite artists of all time? How would your life be different if your favorite artists had never pursued their work and committed to getting it out to the public?
What it takes is commitment. I think the key word in this artist’s question was “half-hearted”. I know the asker of this question to be a truly dedicated and committed artist with wonderful gifts to share.
However, if we go about creating a blog only half-heartedly, then most likely neither we nor our potential viewers will gain satisfaction from it. Beyond the content, the energy behind the content will be lackluster.
However, if we commit ourselves to it, even if we can only post once a month and we do our best to get the word out and share it with the world, I am convinced that we can touch others in a meaningful way. People will be drawn to our enthusiasm and what we have to offer.
When we do things without true commitment they lack that power of our own intention. If things don’t work out how we expected, we have no reason to continue or follow-through.
The ego likes this because we stay in our safe zone. We don’t expose ourselves to criticism or perhaps worse for the ego, neglect.
When we are committed, we will do whatever it takes.
 Veiled Face Michele Théberge, ink on paper ©1998 |
Leave a Comment
