Artist to Artist: Podcasts and Resources for Inspiration
This guest post is written by my friend and fellow artist, Sarah Frazier. Sarah runs Make/Time, a business providing studio and administrative support for artists and I invited her to share some of the resources she uses to connect with other artists and gather inspiration.
I remember as an art student having an extremely vague understanding of how people actually made a living as an artist. Discussing money is often a taboo subject in American culture to begin with, and I found that as artists, we can be particularly squeamish when discussing how we financially support our practice.
However, I’m noticing that this is changing. More and more I’m finding people having discussions that look behind the curtain at how artists are building a sustainable life. And one thing that has become glaringly apparent to me is that there isn’t one “right” way to be an artist. Everyone has to find their own path that is meaningful and purposeful to them and aligned with their own values.
It can still be hard, though, when you are scrolling through Instagram or your Facebook feed to remember that there is real work and sometimes struggle happening behind the scenes. And this visual filtering through social media can often lead to feelings of resentment or jealousy because we can’t see the whole picture.
To help me stay grounded in my path, I love to listen to podcasts that feature conversations with artists and other creatives about their process and journey. Here are some of my favorites:
Beyond the Studio – Created by artists Nicole Mueller and Amanda Adams, this podcast talks with artists about the behind the scenes work of their practice, and how they support and sustain themselves as artists.
Sound & Vision – Hosted by Brian Alfred, this podcasts interviews artists and musicians about their creative process.
Hyperallergic – Podcast from the Hyperallergic blog around the discussion of contemporary art.
The Art of Process with Aimee Mann and Ted Leo – Musicians Aimee Mann and Ted Leo interview musicians and performers about their creative process and journey. Even though it isn’t visual art specific, there is a lot of overlap in terms of how people talk about managing their time and finding opportunities for their work.
Design Matters with Debbie Millman – Debbie Millman interviews designers, artists, musicians, and other cultural producers about their work, their successes, their failures, and everything in between.
In addition to listening to podcasts, I’m also extremely fond of the books edited by Sharon Louden. Sharon is an amazing artist who makes collaboration a central part of her practice. She has two books that I particularly love that are collections of essays from artists:
The Artists as Culture Producer: Living and Sustaining a Creative Life 
Living and Sustaining a Creative Life: Essays by 40 Working Artists
I’m curious to know what resources you find inspiring in your own studio practice.
Please share your thoughts and resources in the comments below so that we can all grow together!
P.S. I recently interviewed Michele for my own blog and you can read the full interview here. She shares her own journey as an artist and many of the lessons she has learned along the way. Enjoy!
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Some Thoughts on Success: Is That All There Is?
Today I’m bringing back a post from my archive that explores why we may feel dissatisfied when we reach goals or achieve success, and how to find validation in the present moment. Enjoy!
A dear artist friend of mine recently finished a major commission. (SO excited for her and proud of her!) However, she mentioned she’s feeling a little let down after all the hard work she put in to get it finished on a tight deadline. She’s left with that feeling: Is that it?
It reminded me of a story I heard about an artist who achieved the distinction and recognition of being included in the Whitney biennial in her early 20s- an achievement that many contemporary American artists covet and aspire to. And yet, as she was riding the bus after the opening and she described an empty feeling and a similar thought. So that was it?
(Depending on where you are right now with your career you may be saying to yourself, If only I had such problems!)
But this kind of post-event let down brings up a question all of us face: Why are we doing this stuff in the first place? Because I’m sure many of you, like me, have these benchmarks – things we want to achieve because we think we’ll feel better when we get them.
I’ll be really happy when…
I get in that gallery.
Someone buys my work.
I get in the Whitney Biennial.
We might get so caught up in reaching that goal, completing a body of work or preparing for an exhibition that we forgot to feel happy with where we are right here and now. We may neglect to appreciate the present moment and our current situation.
I know in my own life I have had different dreams for my art. For instance, when I was in my 20s I always wanted to travel abroad for my art and have shows in different countries. I dreamed of exhibiting my work in museums. Now that I’ve achieved these things I want even bigger things. I want to be in bigger museums and better known venues. I compare myself to others who have achieved things I have not and I forget to appreciate all that I have created and all that I have achieved. This isn’t good enough. What’s next?
There are always things to appreciate no matter where you are in your career. It’s great to always be looking forward and to have big dreams visions and goals to help us move forward.
But actually the true joy and excitement is in the day-to-day!
We live only in the present moment.
Honestly, nothing else exists. Everything else is just dreams (the future) or memories (the past).
We got in this racket to enjoy the creative ride!
Every dream or goal is to inspire some kind of fun action that we can savor while we are in the moment.
Moment by moment by moment.
Contrary to popular myth it’s not about some kind of arrival, some pinnacle, some accomplishment.
Think for a moment about all the unfulfilled dreams and wishes you have currently for your creative or professional life. Now ponder what exactly is it that you hope you will feel when you’ve achieved this dream? Will you feel more successful? Will you feel happier because you’ll feel validated as an artist? Will you feel better when your work is recognized? Or that other people will take you more seriously as an artist?
Is there a way you can validate yourself right now? How can you appreciate or recognize yourself as you are in your current state?
Now, pause to savor this very moment. Breathe deeply. Feel your body against the chair, hear the hum of your computer. Receive the sounds around you near and far. The drip of the faucet, a bird, the neighbor’s thumping bass? Notice the colors and textures in your vicinity. Close your eyes and allow a faint smile to lighten your lips. Can you keep breathing and relaxing until you can touch on the exquisiteness and the preciousness of this present moment?
I’d love it if you’d share in the comments below something small (or big!) that you treasure and cherish in your current life. Be it the fact that you are blessed to have a box full of art supplies to make your work, or the fact that you have a space to work in or the fact that you have these gifts or skills or you have a family member or a friend or a teacher who is supportive of your endeavors.
Isn’t it wonderful that I have this connection to my creativity?
How great it is that I have had ideas and new ones keep flowing through me!
Isn’t it sweet that I am reading this article because I’m committed to supporting myself mentally, emotionally spiritually as a creative person?
Whatever it is, I invite you to appreciate that now and do not let go of your dreams!
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What’s my opinion of your art?
I often have people write to me asking me to critique their work or give them pointers. I am always honored by these requests and that someone trusts me to give them feedback on their work.
However, this is not something I allow myself to do in this forum or on social media and here is why:
- I often don’t have a context for someone’s work and what they are making without knowing them first.
- I am not the best judge of what is worthwhile for you!
It is common to get to a point where you may feel like you need some technical training or new knowledge in order to grow. I encourage anyone that is at this place to find a local teacher or class where you can continue to learn, ask questions, and test materials. Having someone physically present to look at your work is important.
But when it comes to determining though if your work is “good” or whether you should keep going, this is something you must dig deep and answer for yourself. It is my strong belief that if you feel compelled to make something, then that is enough! It is not for anyone to judge how you spend your time and what is important. Making art and living the life of an artist is about sticking with it and being consistent. It’s about showing up for yourself.
As a teacher, what I want you to take away is the notion that YOU decide what matters. What anyone else thinks is irrelevant. At the end of the day what matters is that your art gives you joy.
Help me keep the conversation going about this. Share your thoughts with me in the comments section and what we can do to give each other a boost!
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Meditation and the Studio: Becoming Aware
It may surprise you to learn that I wasn’t a star pupil in art school. Not one of those students who carried those black, hard-backed sketchbooks everywhere, bursting with sketches, paintings and collages. Not the kind of art student who spent every waking hour making things. I was a diligent, attentive student. I did the assigned work, attended every class and loved it all. But when I started, I hadn’t the first clue how to turn out original work.
After graduation, I went through a difficult period in my creative life. I knew I wanted to devote my life to making art. But crushing self-doubts and critical voices plagued me every time I tried to work in the studio. I showed up to the studio regularly and managed to get work done, but I suffered from inexplicable fatigue due to the inner emotional stress of these critical voices. I sometimes grew distracted and unfocused. I sought out self-help books and groups for creative people, and slowly and subtly things began to change.
In my work as a teacher and artist for over thirty years, I know of many artists can relate to this feeling of paralysis or being stuck. For me, turning to mindfulness and meditation helped me make that shift to becoming the artist I am today. A lot of people believe that meditation or mindfulness is about reaching some exalted state, but it is actually about learning to be present.
When we practice meditation we naturally become more aware. Aware of our thoughts, our unconscious habits, the feelings and thoughts of the people around us, our impact on others. And the longer we practice, the more we notice. We notice subtle things that were always there – we just couldn’t see them before. Sort of like someone whose fuzzy vision becomes clearer with a new pair of glasses.
This type of deep noticing can have a profound impact on our creative work. As Paul Valéry put it: “To see is to forget the name of what one is seeing.” By being fully present with what we are creating, we can move beyond preconceptions and habits and encounter the work afresh.
If you’ve never spent time meditating before, you may find your mind to be a very messy place. Most of us have habits and patterns of thought that we unwittingly developed in our youth by simply imitating the patterns of thought of those around us. Patterned thoughts become like grooves in our brain – neural pathways – that can create habits of self-criticism, fear, doubt, cynicism, pessimism or worry. We scarcely notice them because they are so ingrained in us. And if we don’t notice them, we can hardly be aware that it is those habits or patterns of thought that are driving the circumstances around us.
If you are new to meditation, here are a few simple steps to experiment with it:
- Set aside 5 minutes each morning. As early as possible upon arising is easiest because your mind is still fresh and you don’t have as much resistance to the idea. (I’m too busy, I don’t feel like it, it’s too hard.)
- Find a comfortable and pleasant place to sit. One where you can sit in the exact spot every day.
- And if you have a smartphone, I suggest setting a timer with a gentle ring so your mind doesn’t need to be preoccupied with how long five minutes exactly is.
- Settle in: Ensure that your posture us upright, your chin ever so slightly turned down to elongate the back of your neck. Allow your shoulders to be comfortably loose and relaxed, with your shoulder blades on the same plan as your spine, rather than hunched forward.
- Gently close your eyes and just notice that breath. Pay attention as it fills your lungs quite easily and naturally, and then as it is expelled just as easily through your nostrils.
Thoughts will arise. About whether you remembered to take out the garbage last night, or the first appointment of the day, or that annoying thing your co-worker said yesterday. But you are not going to engage with those thoughts just now. You are going to notice the warmth of the breath as it gently flows in and out. And how your jaw has naturally unclenched and how every muscle is gently melting, releasing habitual tension. And the thoughts may come back: How long has it been now? Surely five minutes is up. I can’t sit here doing nothing! I have so much to do today! And then like a little child who has wandered off, you will gently take your mind by the hand and lead it back to the present moment.
If it helps, you can count your breaths. But just stay with the breath. And without noticing it, you have actually drifted into deep connection. You are not thinking. Then you notice that you are not thinking, and now you are thinking again. And so, you go back to your breath. Such is the task of a meditator. Like trying to take a knot out of a tiny thread with a needle. But hang with it. Please. It gets easier. Because you will untangle that knot and then that tiny thread will stretch out before you free of its knots. Before you know it, there is no thread at all.
Do you currently practice meditation in your daily life? Share your experiences in the comments below!
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Success Talk 3: Holistic Success
It’s easy to get discouraged as an artist by measuring success against external factors such as sales, recognition, or a certain type of studio.
As artists, we have the power to envision and create what we want for our future. I encourage you to envision a more personal and holistic view of success that considers everything from the place you live, to the way you work, and the community you want to have. By placing our intentions front and center, success becomes more about the creative life that we build for ourselves.
What’s YOUR personal idea of success?
I’ve created a downloadable worksheet to explore some of the questions raised in the video above. Use it to help you brainstorm your vision of success. I highly encourage you to spend some daydreaming time, thinking and journaling on your ideal scenarios. You may enjoy doing this with a trusted friend and sharing you ideas with each other.
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Why do you make art? How did you get started? Is this a new passion or one longstanding? What got you “hooked”? What’s important to you about making art?
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Who do you want in your community? Who is the audience for your art? Do you prefer to work alone or surrounded by others?
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What kind of opportunities do you want to have? What kind of impact do you want your work to have? What does making art do for you physically? Mentally? Spiritually?
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Where do you want to live? Where do you want to make art? What kind of environment suits your needs?
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What time of day do you work best? Do you prefer concentrated periods of work with deadlines and breaks in between or do you prefer to work the same amount each week? How many hours each day, week or month do you ideally work?
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Crowdfunding for Artists
Many artists with big ideas feel thwarted or confused as to how to get necessary funds. Have you dreamed of having a a catalog of your work? Do you wish to mount an exhibition in another city but don’t have money for travel? Is there an ambitious project on your list that requires significant monies for material or fabrication?
There are many avenues for securing funds for your art – there are grants from foundations, government or non-profit organizations, private donations, saving your own income. In recent years, crowdfunding – raising funds through small amounts of money from a large amount of people – has offered an alternative making raising money even easier and within the artist’s direct control rather than a jury or granting organization.
Hatchfund is a non-profit organization in the United States that gives hands on support for artists to fully fund their creative ideas. What’s different about Hatchfund is that all contributions are tax-deductible and their success rate is two to three times higher than other platforms due to their emphasis on support and education.
I had a nice Skype chat with Program Officer Stephany Campos, a who explains how it works.
How is HatchFund different?
• All the funds raised goes to the artist.
• A real life Project Manager works with each artist.
• More flexible than other crowd funding sites.
• A very high 78% success rate.
• Non-Profit so all donations are tax deductible.
More information can be found at
http://www.hatchfund.org
Please tell us in the comments section – what would YOU like money for as an artist?
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