Adding Texture to Your Paintings Using Ceramic Stucco & Flexible Modeling Paste
When I first switched over from oils to acrylics years ago – I was always trying to get away from the “plastic-y” look they had.
Then I discovered the array of gels and pastes that could take the standard paint texture from creamy to stiff to sandy to matte.
The two I show you in this video are still in my all-time favorites list.
Hope you enjoy it and let me know your thoughts! Have you used these before? What are your favorite acrylic gels? Any techniques you’d like to share?
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Why I Hate Ron Howard
I’ve got nothing against Ron Howard, really. Opie was a cute kid. But, forgive me, so far I can’t stand anything directed by the man. I find his style sappy and emotionally overwrought.
OK. That’s about as critical and mean-spirited as you will hear me get publicly. I even struggled with using the word hate in my title. In truth, I don’t hate anyone but I’m trying to make a point here.
I picked Ron Howard because I know he can take it and I know he’s probably a really wonderful and totally sincere guy who could care less what I think. And he has touched millions of lives with his work over decades of service as an actor, writer, director and, producer.
In fact, I’m certain many of you LOVE Ron Howard. (And if I insulted you with my opening paragraph, I apologize.)
I know many of you love mushrooms, too.
Can’t stand ‘em myself.
What I am trying to stay here is taste is purely subjective.
And that’s all it is. Taste.
Feel free to ignore the people who will try to tell you their taste is the taste. The correct taste. (Ahem – art teachers, professors and critics.)
As you send your work out into the world, some people will LOVE it.
Some will hate it.
Some will say “Meh.”
That doesn’t mean your work is good.
Or bad.
Or even Meh.
It’s just your work. It’s the work you do.
So when everyone is patting you on the back and giving you shows and buying your work it doesn’t necessarily mean you are brilliant.
And if NO one is paying attention and you continually get rejected neither does it mean your are an idiot who should give up and go do something else.
It means nothing.
It’s just ego stuff.
Because you love this thing so much – creating, making, innovating, birthing new projects.
To continually evolve and pull ideas from deep within.
To craft and hone and love them.
Your work is a gift of love to the universe and to yourself. (You are, after all, an integral part of the universe.)
Keep on, friend.
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You can do this!
Wherever you are right now as an artist, I am here to remind you that you can do this.
It may not always be easy and it may not always be smooth but if you keep at it you will experience joys and rewards you could not have dreamed of from where you stand right now.
It may not always look exactly like you dreamed it would, but the life you aspire to is waiting for you.
I just wanted to make sure you remembered this.
Your work means something. There is a place for your work in this world. No matter what kind of work you make, there are people out there just WAITING for you work.
Really.
There hearts are longing for what you and ONLY you can give. Just as there is no one in the entire world who looks quite like you, there is no one in the whole entire world who can create what you do.
Your work is important.
Please remember that.
Now, go get in the studio!
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Food for Thought: Gerhard Richter
Gerhard Richter Painting movie last week. Definitely would recommend it if you are interested in painting in general, and his work in particular. I think he is an interesting painter, definitely not one of my favorites, but I rarely miss an opportunity to watch a documentary on an artist.
I have a book of interviews with Richter and his own writings called The Daily Practice of Painting: Writings 1962 – 1993 from which I pulled this month’s quote:
“Pleasure is only one aspect [of painting]. Nothing can be done without it; but if that’s all there is to it, it merely bores and irritates the viewer. The objective side has to come in, through which painting offers something of universal interest: a statement, a new quality, an advance – something the other person can do something with.”
Your thoughts? Agree? Disagree?
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Have you ever gotten paint on your clothes?
Ever gotten paint on a favorite item of clothing, carpet of piece of furniture?
This is hands-down my most popular video on youtube:
This method works for the toughest dried on acrylic paints and mediums as well as oil paints AND it’s a non-toxic, biodegradable product.
Another tip – my husband and I have restored 3 different hundred + year-old homes and I have used this product to safely soak layers and layers of the paint off of intricate hardware.
Andrew Lenz owner of Lenz Arts in Santa Cruz claims it “saved his marriage” after he tracked tar in the house and nothing else he tried would remove it from the carpet.
Hope this helps!
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How to Do Stain Painting with Acrylics- Video Tutorial & Art Workshop
A lot of people recently when I tell them about my next in-person workshop have been asking me “What exactly is stain painting?” So I thought I would show you rather than tell you. In the late 50s and early 60s there was a move towards creating abstract canvases in which color became the primary subject matter and the paint itself practically merged with the surface. These painters created fields of color on large canvases which might envelop the viewer with their scale. were some of the known “Color Field” painters among many others. Helen Frankenthaler and Morris Louis invented a particular type of Color Field painting called Stain Painting in which the liquid paint seeps into the fibers of an unprimed canvas.
Here is a video from a talk I did at Portland State University in Oregon showing some simple preliminary steps to getting started with this gorgeous technique.
You can see from these photos, I like to encourage people to work large and get their whole body into it! We’ll be doing some yoga stretches to warm up – but don’t worry if your body won’t allow sitting on the floor, I have a big studio and plenty of table space, too.
These were taken in 2009 and 2011 in North Carolina. May 5 will be the first time I have ever taught this workshop on the West Coast.
It’s a beautiful technique and so much fun to try! Come join us for an all-day workshop in my studio in Emeryville, CA Saturday, May 5. Click here to register.
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