How to Remove Dried and Hardened Paint from Your Paint Brushes

Assuming you take excellent care of your brushes – wiping them carefully, washing them in warm soapy water after each use, it’s still common for paint residue to build up around the ferrule* over time. I find many beginning acrylic painters just rinse their brushes in water after a painting session without using soap. The paint comes out, but the clear acrylic polymer stays in the brush so they look clean but the bristles dry stiff and the brush is unusable.

I used to think when oil or acrylic paint dried in a brush and it became hardened that it was a lost cause. I tried lots of things – soaking them overnight in soap or solvent, depending on whether the paint was oil or acrylic. I experimented with all kinds of specialized brush cleaning products such as Kiss-Off, the Masters, EZ-Air cleaner with limited success. The bristles were still stiff and some of the paint would come out but not all of it. I also tried to get dried acrylic out with the soaps many artists recommended such as Fels-Naptha, Murphy’s Oil Soap without success. Once a brush became hardened, I had to throw it out.

It wasn’t until Winsor and Newton came out with theirBrush Cleaner and Restorer ** that I found the perfect solution for reviving old brushes. What I really love about it is that it is environmentally friendly as it is both non-toxic and biodegradable. (But remember the paint and pigments you remove from the brush might not be, so once it is used, please dispose of it in your local Household Hazardous Waste facility.) I reuse the brush cleaner over and over by allowing it to stand in a clear glass jar. The pigment particles settle to the bottom of the jar and the liquid at the top can be poured off and reused for the next cleaning. 

Here is a pdf the MSDS (Material Safety Data Sheet) for Winsor & Newton’s Brush Cleaner and Restorer.(On some computers the download will begin immediately. Please check your downloads folder.)

* Watch the video to find out what a ferrule is!

 **affiliate link (By purchasing through this link you help support costs of running this website, email service, create videos etc.) 

Have you ever had to throw out a brush that became too stiff to use? Do you have any hardened, dried up paint brushes? What are your solutions? Share your thoughts and tips in the comments section below!

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Cleaning up Acrylic Paint

A question I get over and over again is about proper disposal and clean up of acrylic paint.

Here’s a video I made showing precisely that:

My favorite part is watching the paint pucker up and peel up in a sheet. Watch for my tip at the end for how to dispose of all those palette scrapings in a way that won’t hurt the environment OR your plumbing.

In addition, I recently came across this great resource from Golden paints that shows how to dispose of acrylic waste water in an environmentally friendly way:

Any thoughts of your own? Questions? Please leave them in the comments section directly below the video so everyone can benefit!

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Using Acrylic Pouring Medium as a Non-Toxic Resin-Like Coat

I try to keep everything in my studio non-toxic and was excited when I developed this method for creating a resin look without using highly toxic epoxy resins.

 

http://www.youtube.com/watch?v=cBAzfxWKMHY?rel=0

 

Here I answer some specific questions I got from an artist in Guatemala on drying time with the pouring medium in different climates. Also, about adding gold leaf or other metal leaf in pouring medium. I got cut off but don’t worry, it continues in the next video.

 

Continuation of questions in previous video about using Pouring medium with inks and spray paint:

Here’s a list of materials mentioned in the videos above:
Liquitex pouring medium – 8oz.
Liquitex pouring medium – 1 gallon
Composition gold leaf
Composition silver leaf
Liquitex acrylic ink
Liquitex soft body acrylic paint set
Liquitex airbrush medium
Liquitex spray paint
Krylon spray paint (gloss acrylic)

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Worst Mistake Acrylic Painters Make

After one of my acrylics talks a few years ago, an artist pulled me aside and said,
“Now, I finally understand why my paintings are falling apart! I wish I had known what you just taught me 10 years ago!”

My heart went out to her. I’ve made more technical mistakes with my art over the years than I care to recount. That’s why I’m so passionate about sharing with artists how to build a sound and stable paint film.

I don’t want to hinder anyone’s creative process. That’s the last thing I want! That’s why I offer some sound alternatives here to get the same look without harming the paint film.

Please, please share this info with all your painter friends, artists groups, classes, professors, etc. I’ve found in the 15 years I’ve been teaching this to artists of all levels from those with 40 years experience and paintings in museums to the absolute beginner, only about 5% have ever heard of underbinding. Let’s make sure no more artists have their paintings fall apart by something that could easily be avoided.

These are the materials I mentioned in the video above:
Liquitex airbrush medium
Liquitex gloss medium
Liquitex acrylic gesso 32oz.

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