Create a Consistent Studio Practice
Don’t you just love being read to? I do! I loved it as a kid and I still love it as an adult. Just one of the many reasons I love to listen to audio books.
My little holiday gift to you – I’m reading a chapter from my book Seven Essential Practices for the Professional Artist: Create a Studio Habit – Consistency
I hope this gives you a little boost to get in the studio if you’ve been having trouble making that a regular habit.
Many artists I’ve worked with struggle to create regular time for art making. It seems as if everything else always gets in the way!
It’s easy to fall into this trap. Why should it be so hard when it’s what you love to do?
One reason is that many creatives, in all fields, have a highly developed inner critic. But it can be a problem when you let this inner critic run rampant in the early stages of creating something.
We also doubt that we have ideas that are worthwhile. I’d like to go on record as saying even if only ONE person in this world benefits from your studio practice – YOU – the entire world has benefitted. You are no more important or less important than every other being on this planet. Your happiness, satisfaction and sense of deeper connection with All-that-is that creative practice engenders spills out and touches all in your circle. When you have it in you to be creative and you fulfill that promise, it feels as if everything is right in the world. Have you notices? And in turn your family, friends and colleagues get a happier more fulfilled version of you. Then they in turn touch every one else in their circles with a greater sense of satisfaction and peace and so on.
I’ve found it highly beneficial when stuck in the studio and having trouble getting jump started to have a commitment to regular, inviolable studio time. Even fifteen minutes a day makes a huge difference!
Creativity is like a muscle. Use it regularly and it gets stronger, firmer, more toned and ready for action.
Once you cultivate this regular practice, it becomes like a loyal friend. It will not let you down it will be a comfort and solace in the good times and not-so-good times.
If you have your own ideas to share about how having a regular habit of getting into the studio has helped you, please do in the comments below!
Or perhaps consistency has never worked for you and you prefer a more sporadic studio practice – let us know about that! There is no ONE way for every artist. The mindful artist community is designed to help you find YOUR unique path to a satisfying and enjoyable life as an artist.
By the way, Iris mentioned in the comments that she hadn’t realized the book was available in print. If you are in Canada, you can purchase copy directly from the publisher, Editions FrI, and have lower shipping costs. (The may even have a few signed copies left!)
http://fissaly.wix.com/editionsfri#!m…
Or you can get it here on Amazon: http://goo.gl/ngnDI
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What Do You Do if Everything You Make is Crap?
I hope you don’t mind me being so crass.
But I’ve been going through a phase the past couple of weeks. I’m just not excited about anything I’ve made.
It’s disappointing.
It’s even a bit disheartening.
And I’m willing to bet at least some of you have been here before, too. Am I right?
What do you do when nothing you make delights you?
You know that lovely feeling when you look at what you’ve made and there’s a quickening, a sense of delight and enjoyment and perhaps exhilaration at your own creation?
I love that feeling!
But I’m not having it right now.
What I do know to do is to keep showing up.
I keep going to my studio or some mornings I get up and draw after my morning meditation.
I continue to make time for the work. I continue to make the work. Because there’s one thing that meditation practice (and observing lots of other creatives) has taught me. Consistency is key. You don’t give up because you have a bad day.
I know I will get through this.
I know more delightful work is on the other side.
I know I even made delightful work as recently as three weeks ago. (I checked my instagram feed for confirmation!)
I know I have a website full of projects, drawings and paintings I feel satisfied and pleased with.
I know this feeling can’t last forever. But sometimes it feels as though it will!
I have a box full of recent drawings that I want to discard, but I don’t have the heart to yet. I guess I’m hanging on to them as a drowning person hangs on to a life raft. It’s all I’ve got right now.
Which is why I am asking you – what do you do when everything you were making looks like crap?
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The Starving Artist Myth
Chances are you’ve encountered it before – in movies, jokes, anecdotes – the concept of the “starving artist.”
Many of us have consciously or unconsciously borne the burden of this pervasive myth in our society.
I have heard of countless creative people who were dissuaded from following their dreams because of fear of not being able to make enough money.
But that need not be a reason to give up entirely on something you cherish.
The truth is, of the hundreds of artists I know personally or count as dear friends, the majority DO have some other form of income. Most of them are doing something in the arts: teaching, arts administration, curating, design, illustration, working in or owning galleries, art preparator, framing. They are so many ways to make a living in the arts.
But let’s set the record straight: they are not starving. They own homes, go on vacations, send their children to college and STILL manage to make art, even if it is not their full-time income.
And then there are artists who make a handsome income off of their art. That’s a possibility as well.
Just last week I was at Anthony Meier Fine Arts in San Francisco looking at an exhibition of one of my favorite artists. Everyone of the five pieces sold before the show opened. My friend casually asked what the prices had been. “Between $500,000 and $1,000,000.” was the reply.
So definitely some artists are doing more than thriving.
The reason I bring this up is to just check our habits of thought and thinking around this issue.
Have you ever caught your self thinking thoughts of lack or limitation?
I was inspired by a passage from Lynne Twist’s book The Soul of Money: Reclaiming the Wealth of Our Inner Resources
Please share your thoughts and experiences in the comments.
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Grants for Artists: Tips for Applying
Are you aware of the thousands of grants for artists to fund their work?
Artist grants are offered all over the world to help support artists in the creation and sharing of their work.
Look for the list of resources for grants for individual artists at the end of this article.
Last month, I was in the process of applying for an artist grant. As often happens when doing administrative work, I found my initial flush of enthusiasm of the project diminished in the bureaucratic minutia of applying.
Has this every happened to you? You get all excited about an opportunity, only to lose steam part of the way through?
I created a video on the spot to share with you how I realigned myself with my purpose and vision to reinvigorate the application process.
Whether you are an emerging artist, a seasoned professional there are funding opportunities worth exploring.
Many are geared towards artists from a particular region. A great place to start is to your local arts council. Your municipality may have one or if you live in a smaller city or rural area, try your county, province or state arts council for opportunities. If you live in a smaller country, your national arts council or foundation may have excellent resources for you.
Getting started finding opportunities may be overwhelming at first. I recommend starting small.
If you are interested in learning more, make a 20 minute research appointment with yourself in your calendar for next week. This is something you can do after work some evening – even if you are too tired to go to your studio, committing a few minutes to finding opportunities to support yourself is a way you can demonstrate your commitment to yourself and gently nudge yourself along the path to playing a bit larger, stretching outside of your normal comfort zone.
It’s important not to get too bogged down. I find for myself, slow and steady wins the race. Setting aside small increments of time each day or each week works better for me than chaining myself to the computer for hours at a time.
If you find one you would like to apply for, write the deadline in your calendar and then schedule in weekly grant writing sessions for yourself so you have plenty of time to hone and edit your application.
If this is your first time, think of it as training for writing a grant. You will learn much in the process of putting together a proposal. This can then be edited and crafted for future proposals as well. Just the process of applying for a grant will encourage you to take your work seriously and think of yourself in a more professional context. It’s creating a bigger vision of yourself.
You may want to start a general search or you may narrow your search from the start. There are grants out there specifically for younger artists, mature artists, LGBT artists, artist of Latino, Native American, African-American descent, artist working in specific media, artists working with specific subject matter, etc.
What follows is a brief list of opportunities out there to get your started. Please share any additional opportunities you find with our whole community in the comments section below.
And as always leave questions or suggestions for future articles in the topics area below. Let me know how I can assist you!
The California Arts Council has a list of grants available to artists throughout the United States.
http://www.womenarts.org/funding-resources/visual-national/
For artists in Minnesota and 5 boroughs of New York http://www.jeromefdn.org/apply/general-program
The Guggenheim Foundation offers one of the most prestigious grants in the United States for visual artists:
Pollack-Krasner Foundation: Grants to artists worldwide with demonstrable financial need and recognizable artistic merit
Creative Capital provides integrated financial and advisory support to artists pursuing adventurous projects in five disciplines: Emerging Fields, Film/Video, Literature, Performing Arts and Visual Arts.
From Fractured Atlas: A list of some grants with upcoming deadlines
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What Inspires You?
In this feature, each month artists share one thing that excites them creatively.
One key piece to support healthy, productive creativity is stimulating inputs. What kinds of things stimulate the creative centers of the brain? What kind of inputs stimulate us visually? Emotionally? Spiritually? Mentally? Physically?
I’d really like to know, what’s one thing that fills your creative cup? Share with us in the comment section below.
Matthew Johnson
Hello M.A. bloggers, my name is Matthew Johnson and my creative stimulation dwells within the realm of the creation we call “Life.” From the tiniest insects that stroll around among the vast plains, and rolling hills of this planet, to the human machines that occupy this world, and discover the ins and outs about our existences through experiences. There are so many outlets that my artistic view drives upon, and my mind travels alongside imagination avenue with my solar-battery operated automobile packed full of music, paint, pens, and a broken navigational device (to ensure that I am in no way shape or form ‘set’ within any boundaries of expression). As you stroll through the corridors of the imagination, it is only you that can entail what you see and then begin to proceed to create the pieces you’re driven to produce. Continue all the great work, and may peace be your imagination’s significant other.
Matthew Johnson
Toni Murgas
Things that inspire me may be a picture of nature, a book I’m reading, a dream or a song. I was reading a book on Edward Manet and how he used to cut paper as he got older to create his art. This inspired me to cut and paste colored paper.
Toni Murgas
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Food for Thought: Alice Neel
Food for thought is where I share a quote I’ve come across for your reflection and discussion 
among the other artists in the mindful artist community.
If you’ve been following me for a while you may have gathered that I’m a keen student of the creative process. I’m always interested in other artists’ experience of their art practice and how it can help us better understand and navigate our own.
My loving husband gave me this book on Alice Neel for Christmas that I’ve just begun reading so I thought a quote from Alice Neel might be in order.
You should keep on painting no matter how difficult it is, because this is all part of experience, and the more experience you have, the better it is… unless it kills you, and then you know you have gone too far.
– Alice Neel
What about you? Do you feel you ought to keep making your work even though it is difficult?
Can you give an example of a “difficult” time in your work?
What does it mean to you to have gone too far?
Please share your thoughts in the comment section below.
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