The Importance of Creating Community
Making art is by nature an isolating activity. The majority of artists work alone and need quiet time in the studio to focus and concentrate, to allow ideas to bubble up, to experiment freely without prying or inquiring eyes. When I go to my studio, I like to close the door, turn off the phone, shut out the world and enter a deep, almost meditative state of concentration.
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Which means I spend many hours of my day completely alone.
Although the creative work itself may necessitate alone time and privacy, the life of an artist needn’t be lived in isolation. In fact, our success depends on the connections we cultivate. I’m not simply referring to “meeting the right people” – the influential ones who can give us something, or move our work forward. My daily life is made full by my rich community of artist friends.
Wherever you go or decide to live, cultivating a community of like-minded individuals will nourish your work. Unlike others, your artist friends will not be insulted when you choose to go to your studio on a Friday night instead of joining them at the movies.
When you are going through of periods of scant or no recognition, having no shows on the horizon, no grants to sustain you, no gallery to promote you, who will remind you how much it matters to keep doing the work?
I am fortunate to be married to a musician with a very down-to–earth philosophy on being an artist. If ever I begin to feel down-and-out, sorry for myself, or under-appreciated, he looks me in they eye and says “You are doing it for yourself, right?” and then I feel more on track. While I am not exactly doing it for myself (I sincerely want other people to benefit from my work), he reminds me that I am not in it for fame or acclaim.
Who will understand why you are devoting a large portion of your income to studio rent? Or to some ambitious five-year project? Lots of people will not relate to your lifestyle, nor will they understand it.
When the outside world seems indifferent to your creative output, your artist friends will remind you to keep at it. They won’t necessarily do this by saying so, but you will observe them making their own work, devoting their time and energy to it, and this will buoy you onward.
This is why I place such a strong emphasis on the community aspect of the Mindful Artist Mentorship Program. I love the forum, not only because it is a place where all the artists post pictures their own work, but because, it is amazing what happens when you bring a group of like-minded artists together. It is a chance to share ideas, ask questions, get support and help each other move forward in meaningful ways.
Just knowing you have friends you can call on who have committed themselves to a similar path will bring you comfort and sustenance.
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Is your work important? Does it matter? Why bother?
I strongly recommend that every artist I mentor have a website or at least blog to share his or her work with the world. One of the artists I worked with once asked me:
“Who in the world needs another blog from a half-hearted artist?”
Who, indeed?
Who are we to say what the world needs or doesn’t need? It’s important to be able to step back from that voice and to recognize it for what it is. It’s the voice of our ego. Our ego prefers to be liked, to stay safe and protect us from criticism or negative reaction.
I want to remind you of your power as an artist. The power art has in general. Whether our audience is large or small, we all have the potential to positively impact others lives with what we do.
While the ego likes to stay safe it is also attracted to the seeming glamour of celebrity and fame. It’s a strange dichotomy, isn’t it?
So unless we are really, really big, unless lots and lots of people like and admire our work, it doesn’t seem worthwhile.
Take a moment now to recall anyone who has expressed even the smallest appreciation for something you have created. A brief compliment, an email, a note, a thumbs up.
Now savor that moment slowly for what it was. Really feel into it and allow it into your being, your body, your heart.
You touched another person’s heart, even for that moment, in some humble way.
Where there was one, there could easily be hundreds. (It’s a big planet, you know.)
It is tempting to keep things safe and play a small and familiar arena. It’s tempting to avoid the risk and vulnerability of putting ourselves and our work out for the world to see. It is so much easier. We need not take the time nor make the effort.
But how do you know that someone wouldn’t be inspired by, love, or really want to see your blog? How do you really know this?
Aren’t there plenty of other artists who have inspired you? Are you glad for their online presence? Isn’t it wonderful to live in an age where we can access inspiration from other artists’ work past or present with the click of a mouse?
Who are your favorite artists of all time? How would your life be different if your favorite artists had never pursued their work and committed to getting it out to the public?
What it takes is commitment. I think the key word in this artist’s question was “half-hearted”. I know the asker of this question to be a truly dedicated and committed artist with wonderful gifts to share.
However, if we go about creating a blog only half-heartedly, then most likely neither we nor our potential viewers will gain satisfaction from it. Beyond the content, the energy behind the content will be lackluster.
However, if we commit ourselves to it, even if we can only post once a month and we do our best to get the word out and share it with the world, I am convinced that we can touch others in a meaningful way. People will be drawn to our enthusiasm and what we have to offer.
When we do things without true commitment they lack that power of our own intention. If things don’t work out how we expected, we have no reason to continue or follow-through.
The ego likes this because we stay in our safe zone. We don’t expose ourselves to criticism or perhaps worse for the ego, neglect.
When we are committed, we will do whatever it takes.
 Veiled Face Michele Théberge, ink on paper ©1998 |
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Are you giving up too early on your creative ideas?
Have you ever been in your studio and had any of the following thoughts
This is a terrible idea. What was I thinking?
I should just give up. Why am I wasting my time?
Who am I kidding? I’m not an artist.
How on earth am I going to solve this one? It’s a wreck.
This work is making me hungry. (Strange, because I just ate lunch.) I’d better go fix myself a little snack.
All people involved in creative endeavors have these thoughts. What I’ve noticed is that experienced artists, musicians, writers, etc. don’t give up at this stage.
We know it’s just a stage.
I recently started a new piece that builds on several ideas and methods that I have been working with for the past five years. I hate what it looks like right now. Yuck. As I stepped back from it, I thought to myself, “It’s a good idea, but I haven’t worked it out yet.”
When a piece of creative work begins, there’s a honeymoon period. Life is good, the creativity is flowing. We are FULL of excitement. We are literally in love with what we are working on.
As it progresses, the creative process runs through other stages and just as in any relationship, it’s normal to experience challenges. Perhaps, we can’t quite get a handle on the medium, or what looked great the day before seems awful now. You can’t quite get the ideas rolling around in your head into any satisfying form. Your studio floods, your equipment fails, your collaborator flakes, an essential material isn’t behaving the way it usually does, it starts raining, the light changes. (Feel free to add to this list!) There are an infinite number of things that can go wrong.
Believe it or not, this is a normal part of the creative process! In fact, what I’ve learned over the years is that it’s a sign that a breakthrough is about to happen. But in order to access this new level of creativity, we must keep committed to task at hand.
Too often, beginners or artists who aren’t sure of themselves, and give up too soon on an idea. They listen to that negative voice and drop the project before it has had a chance to fully blossom.
It is through giving ideas our precious time and attention that they evolve.
 Michele Theberge ©2006 gouache and flashe on paper |
Inspiration rarely zings an idea fully formed into your brain with a downloadable set of step-by-step directions. Where’s the fun in THAT?
There are few feelings more exhilarating than moving through a stuck place or solving a creative problem.
This applies to nearly ANYTHING you are working on in your life. A relationship, a new job, a meal, a home improvement project, a business. If you give up too soon you’ll never get to see that potential the idea was hinting at when it sparked that first flame of excitement.
Is there an artwork (or anything else) in your life right now that you may have given up too soon on?
Would you be willing to give it a second chance? Can you step back from it and recognize it’s potential and say to yourself:
“It’s a good idea, I just haven’t worked it out yet.”
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The Beauty of Wabi-Sabi
Guest post by Lori Koop
My friend and colleague, Lori Koop, is a dedicated and gifted
ceramic artist with a deep vision for herself and others. Her work
and writing exemplifies this style we call wabi-sabi.
“If an object or expression can bring
about, within us, a sense of serene
melancholy and a spiritual longing, then
that object is said to be wabi-sabi.”
Wabi Sabi: The Japanese Art of Impermanence
When I began making ceramics three years ago, I knew exactly what I wanted to do… make ceramics that spoke. I needed to be authentic and real. Handmade imperfection, unglazed fired clay and irregular textured surfaces became the language.
 Betty Bowl © 2010 Lori Koop |
The Japanese term “wabi sabi” was used several times to describe the work. It describes both an aesthetic and a philosophy.
Wabi is rustic, simple and quiet. It refers to understated, subtle beauty. The quiet beauty that waits patiently to be discovered. It also refers to the natural quirks and irregularities that come from the process of construction, from being human.
Sabi is serenity that comes with age. The beauty of patina, visible wear and repairs. It is about the natural cycle of life – growth, decay and death. The cracks, the marks of time, weather and use.
Together, wabi sabi is about process, and it involves continuous change, evolution. Nothing is perfect, nothing is complete, and nothing lasts.
In it, we slow down. Live simply.
Fill with gratitude. Unclutter.
Lori offers an inspirational word each week in her “UPWord”. You can sign up here: www.moveUPWoRD.com
Hope Plaque © 2010 Lori Koop
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The Degas Syndrome
The story goes that Degas once visited the home of a collector in Paris, saw a painting he had completed some years prior hanging on the wall, took it down and marched off with it, insisting that there were some things he needed to correct.
Hilaire-Germain-Edgar De Gas, Self-portrait (Degas au porte-fusain), 1855
All of us have felt this at some time or other: “But I would make it so much better now.”
My advice?
Leave it.
It is the nature of the creative process and all of Creation, really, to continually evolve.
Your mind, your thoughts, your skills, your interests are all moving perpetually forward. So it can be embarrassing or even painful to look back on what you have created in the past.
It can make you wince.
The urge to remake it or fix it can be strong.
But it would be as absurd as the notion of trying to go back to your high school with all the knowledge, experience and confidence you have gained as an adult to “Do it right this time.”
Why repeat high school?
What would be the point?
Leave the past behind and use all that you gained from experience to play better at the NOW game.
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Create Spaciousness in Your Work Day (and Spare Your Eyesight at the Same Time!)
Have you ever heard an artist to say, “I love the hours I spend on my computer, applying for shows, writing my artist’s statement, organizing my images and responding to emails. It’s so much FUN!”?
Almost every artist I know would rather be in the studio, hands in the materials, making stuff.
The administrative and business work associated with being an artist is tedious to most creative types and sometimes downright loathsome.
This can result in putting things off until the last minute, and then rushing through them, subtly (or overtly!) resenting the task at hand, and feeling pressed for time.
In this video, I share some methods I’ve developed for keeping the same sense of balance and expansiveness when working on my computer as I experience in my meditation practice.
Our brains can get caught up in the task at hand, so I read these two phrases to myself to connect with my deeper, overarching intentions throughout the day. Just reading them to myself, shifts my consciousness and attitude.
I experience the spaciousness of time as I work on my computer.
I take frequent pauses to check in with my deeper self.
Here is the link for the free download of the meditation timer I mention (for Mac users):
http://meditationresources.com/
Questions? Comments? Leave them below…
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