The Beauty of Wabi-Sabi
Guest post by Lori Koop
My friend and colleague, Lori Koop, is a dedicated and gifted
ceramic artist with a deep vision for herself and others. Her work
and writing exemplifies this style we call wabi-sabi.
“If an object or expression can bring
about, within us, a sense of serene
melancholy and a spiritual longing, then
that object is said to be wabi-sabi.”
Wabi Sabi: The Japanese Art of Impermanence
When I began making ceramics three years ago, I knew exactly what I wanted to do… make ceramics that spoke. I needed to be authentic and real. Handmade imperfection, unglazed fired clay and irregular textured surfaces became the language.
 Betty Bowl © 2010 Lori Koop |
The Japanese term “wabi sabi” was used several times to describe the work. It describes both an aesthetic and a philosophy.
Wabi is rustic, simple and quiet. It refers to understated, subtle beauty. The quiet beauty that waits patiently to be discovered. It also refers to the natural quirks and irregularities that come from the process of construction, from being human.
Sabi is serenity that comes with age. The beauty of patina, visible wear and repairs. It is about the natural cycle of life – growth, decay and death. The cracks, the marks of time, weather and use.
Together, wabi sabi is about process, and it involves continuous change, evolution. Nothing is perfect, nothing is complete, and nothing lasts.
In it, we slow down. Live simply.
Fill with gratitude. Unclutter.
Lori offers an inspirational word each week in her “UPWord”. You can sign up here: www.moveUPWoRD.com
Hope Plaque © 2010 Lori Koop
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What’s so great about perfect?
Just what exactly is “perfect” and where do we formulate our notion of “perfection”?
I believe that perfectionism is the root of many an artist’s block.
I’ll never be good enough.
If I can’t do it as well as ____________, why try?
I’m not sure my idea is worthwhile.
What if I fail?
My project could never reach the beauty and perfection of the idea in my head.
We often talk ourselves out of doing something before we even get the chance to start.
I am reminded of something painter Agnes Martin once said:
“We cannot make anything perfectly but with inner contemplation of perfection, we can suggest it.”
I made this video because I’d like to invite you to pick up the reins of a project or piece that is waiting in the wings for the perfect time, the perfect place, materials, amount of money, the perfection of your skills, or whatever notion of perfection is preventing you from diving in.
See what happens.
And let us know, OK?
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The Degas Syndrome
The story goes that Degas once visited the home of a collector in Paris, saw a painting he had completed some years prior hanging on the wall, took it down and marched off with it, insisting that there were some things he needed to correct.
Hilaire-Germain-Edgar De Gas, Self-portrait (Degas au porte-fusain), 1855
All of us have felt this at some time or other: “But I would make it so much better now.”
My advice?
Leave it.
It is the nature of the creative process and all of Creation, really, to continually evolve.
Your mind, your thoughts, your skills, your interests are all moving perpetually forward. So it can be embarrassing or even painful to look back on what you have created in the past.
It can make you wince.
The urge to remake it or fix it can be strong.
But it would be as absurd as the notion of trying to go back to your high school with all the knowledge, experience and confidence you have gained as an adult to “Do it right this time.”
Why repeat high school?
What would be the point?
Leave the past behind and use all that you gained from experience to play better at the NOW game.
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Create Spaciousness in Your Work Day (and Spare Your Eyesight at the Same Time!)
Have you ever heard an artist to say, “I love the hours I spend on my computer, applying for shows, writing my artist’s statement, organizing my images and responding to emails. It’s so much FUN!”?
Almost every artist I know would rather be in the studio, hands in the materials, making stuff.
The administrative and business work associated with being an artist is tedious to most creative types and sometimes downright loathsome.
This can result in putting things off until the last minute, and then rushing through them, subtly (or overtly!) resenting the task at hand, and feeling pressed for time.
In this video, I share some methods I’ve developed for keeping the same sense of balance and expansiveness when working on my computer as I experience in my meditation practice.
Our brains can get caught up in the task at hand, so I read these two phrases to myself to connect with my deeper, overarching intentions throughout the day. Just reading them to myself, shifts my consciousness and attitude.
I experience the spaciousness of time as I work on my computer.
I take frequent pauses to check in with my deeper self.
Here is the link for the free download of the meditation timer I mention (for Mac users):
http://meditationresources.com/
Questions? Comments? Leave them below…
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Create a Positive Feedback Folder or Notebook
I know how hard this can be. Showing up to work in the studio week after week when it feels like nobody cares about what you are doing. No one even notices.
When you hit a rough patch creatively or when the work isn’t looking or feeling too good, it can be so tempting to wonder why in the heck you even bother.
Maybe you just got another rejection letter and your heart is sinking.
It’s times like these when I pull out my positive feedback folder.
I have a paper one and one in my email files. This is where I archive any positive feedback or words of encouragement on my work.
It might be a brief comment in an email, a thank you note from someone who has received my art, or even something someone said in passing. If you have a blog or facebook page, you can cut and paste into a separate document any comments that give your heart a little lift.
More established artists could save copies of positive notices or reviews, articles or catalogue essays on their work in their positive feedback file. (Yes, even the most established artists suffer from self-doubts.)
I suggest compiling them all in one place and making it part of your studio ritual to read these over on a weekly or monthly basis. This will strengthen your resolve in the studio and help you through those darker times of confusion and self-doubt.
I believe we all want to be of service to others in some way. When you spend much time working alone in your studio, it is easy to forget that your work can have a positive impact on others.
If you are just getting started and you haven’t received any yet, don’t worry, you will. Perhaps someone in a class you took admired your color palette or your knack for composition?
Can you be absolutely sure you haven’t received any compliments?
Perhaps you have been in the habit of dismissing them? (This old thing?! It’s nothing, really. Just something I’m messing around with. It’s not even finished.)
There is a delicate balance here. Obviously, we don’t want to live only for the compliments or accolades, nor base our self-worth or our opinion of our own work on them.
However, they do serve to remind that part of us that wants to make a difference in the world that our endeavors are worthwhile.
Your work is worthwhile.
Now, go make something.
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Butcher Tray Palette
During my trip up to the Pacific Northwest, the question I got over and over again at almost every single group I spoke to was about proper disposal and clean up of acrylic paint.
Here’s a video I made showing precisely that:
My favorite part is watching the paint pucker up and peel up in a sheet. Watch for my tip at the end for how to dispose of all those palette scrapings in a way that won’t hurt the environment OR your plumbing.
Any thoughts of your own? Questions? Please leave them in the comments section directly below the video so everyone can benefit!
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