In Just 15 minutes a day…

If you’re reading this, chances are art is a big part of your life. It’s something that you look forward to doing and that brings you a lot of joy and satisfaction.

But what happens when life gets in the way?

You have a big project due for work, family comes to visit, a loved one is ill. I’ve noticed for most people I work with, art time is the very first thing to go.

I’ll get to that later when I have more time – when my mother’s illness clears up, after my trip, after I get that closet cleaned up, when the kids are settled in school, when the remodel is complete, when I retire, etc.

At first, when you pass by your work area, you feel that pang of longing and regret. Eventually you learn to close off those feelings and suppress that longing to be creative again.

I’d like to propose that, as artists, the basis of a well-composed life be laid upon a foundation of the following non-negotiable items:

1. Eating well

2. Getting adequate rest and exercise

3. Consistent and regular creative time

I used to think I had to spend long days in my studio to get “enough” art time in. But strangely, I never felt like there was quite enough time for my art. It felt like a battle between my art time and all the other responsibilities in my life.

From the start, I had a disciplined and regular studio schedule, yet my creative time often felt like feast or famine. Some days were reserved for teaching and others for the studio. On my studio days, even after being there for many hours, I couldn’t tear myself away. I would stay way too late and leave feeling over-tired and over-hungry.

That changed dramatically when I was invited to be in an exhibition in which I had to complete a work of art each day for five weeks.

So I set aside time each morning to create. Sometimes 20 minutes, sometimes 90 minutes.

I was amazed at how connected I felt to my art with such a minimal commitment. Once I got in a groove, I found myself thinking about my pieces all day long. I was working on them in my head even when I wasn’t in my studio.

Although my regular studio practice involves working 4 days a week for longer periods of time, there are intervals in my life when I am on the road teaching or have consuming non-art projects at hand. For these times, I created what I call 15 minutes a day.

I found that even devoting just 15 minutes each day to making art, I am able to make startling progress on an idea or project.

I set a timer for 15 minutes and when that timer goes off, I am free to get up. I don’t worry because I know tomorrow I can pick up where I left off.

I’ve found this 15 minutes a day works best first thing in the morning before life’s demands begin pressing in.

I’ve shared this practice with the artists in my Artist Mentorship Program and it’s been awesome to watch a dedicated studio practice bloom where previously there had been none.

By setting aside even a small amount of time daily to be creative, you will find yourself with more energy, a greater sense of contentment and a capacity to give generously of yourself to others having tended to your deepest needs first. Your creative energy will gather steam and ideas will flow more freely. You’ll be more at ease with the process, allowing for greater experimentation and more accepting of the inevitable “failures” or mistakes”.

Most importantly, you will start the day with the satisfaction that you have made time for that which matters most – that connection to your deeper self – that creative Source within.

All from just 15 minutes a day.

 

How do you make space for creative time into your day? What are some of the hurdles you have to overcome to make time?

I invite you to share your thoughts and helpful tips in the comments section below!

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Why I Hate Ron Howard

 

 

 

 

 

 

 

 

 

 

 

I’ve got nothing against Ron Howard, really. Opie was a cute kid. But, forgive me, so far I can’t stand anything directed by the man. I find his style sappy and emotionally overwrought.

OK. That’s about as critical and mean-spirited as you will hear me get publicly. I even struggled with using the word hate in my title. In truth, I don’t hate anyone but I’m trying to make a point here.

I picked Ron Howard because I know he can take it and I know he’s probably a really wonderful and totally sincere guy who could care less what I think. And he has touched millions of lives with his work over decades of service as an actor, writer, director and, producer.


 

 

 

 

 

 

 

 

In fact, I’m certain many of you LOVE Ron Howard. (And if I insulted you with my opening paragraph, I apologize.)

I know many of you love mushrooms, too.

Can’t stand ‘em myself.

What I am trying to stay here is taste is purely subjective.

And that’s all it is. Taste.

Feel free to ignore the people who will try to tell you their taste is the taste. The correct taste. (Ahem – art teachers, professors and critics.)

As you send your work out into the world, some people will LOVE it.

Some will hate it.

Some will say “Meh.”

That doesn’t mean your work is good.

Or bad.

Or even Meh.

It’s just your work. It’s the work you do.

So when everyone is patting you on the back and giving you shows and buying your work it doesn’t necessarily mean you are brilliant.

And if NO one is paying attention and you continually get rejected neither does it mean your are an idiot who should give up and go do something else.

It means nothing.

It’s just ego stuff.

Because you love this thing so much – creating, making, innovating, birthing new projects.

To continually evolve and pull ideas from deep within.

To craft and hone and love them.

Your work is a gift of love to the universe and to yourself. (You are, after all, an integral part of the universe.)

Keep on, friend.

 

 

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What Inspires You?

In this feature, each month artists share one thing that excites them creatively.

One key piece to support healthy, productive creativity is stimulating inputs. What kinds of things stimulate the creative centers of the brain? What kind of inputs stimulate us visually? Emotionally? Spiritually? Mentally? Physically?

I’d really like to know, what’s one thing that fills your creative cup? Share with us in the comment section below.

 

 

What Inspires You?

Laureen Marchand

What inspires me?

 

Throughout my career as a painter, I have explored the relationship of the self to the spirit. Recently I’ve used images of dried roses to reflect on ideas related to beauty, loss, and the passage of time. There are some lines in a 1980s song by Leonard Cohen and Jennifer Warnes, Song of Bernadette, that I think capture the part of the human spirit that inspires me most:

We’ve been around, we fall, we fly

We mostly fall, we mostly run

And every now and then we try

To mend the damage that we’ve done

 

 

Loss, beauty, time, and in a very small way, transcendence. So human.

Laureen Marchand
Website:www.grasslandsgallery.com

 

What Inspires You?
Vas Littlecrow Wojtanowicz

 

Whenever I enter my studio, I am immediately drawn to the window. I never know what awaits there.  Will it be a family of deer strolling through the pines as fresh winter snow blankets the landscape?  Perhaps, a raccoon will stare at me with curiosity from behind the glass, wondering about my activities, as flowers bloom all around.   The other day, I saw a tiny toad trying to take shelter from the rain.
My backyard is such a muse.  I can’t get enough of its gifts. Thanks to the studio window, I am able to watch the most delightful and inspirational nature show to never be broadcast on television.

My art is all the better for this amazing opportunity.

Vas Littlecrow
Website: http://vaslittlecrow.com/

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What Inspires You?

In this feature, each month artists share one thing that excites them creatively.

One key piece to support healthy, productive creativity is stimulating inputs. What kinds of things stimulate the creative centers of the brain? What kind of inputs stimulate us visually? Emotionally? Spiritually? Mentally? Physically?

I’d really like to know, what’s one thing that fills your creative cup?

If you’d like to be part of this feature, send an email to info@themindfulartist.com. Include a sentence or two about one of your key inspirations. Please include some photos – either to illustrate your inspiration, to share your artwork with us. We especially love pictures of YOU! We want to feature YOU and your work so please send a link to your blog or website or flicker page.

What Inspires You?
Candace Pryor

What inspires me?

Lately, I’ve been inspired by African-American male presenting lesbians. Before I explain what that means, I’ll give a little insight on who I am.

For a long, long time I hid my sexuality for the usual reasons (shame, fear, internal turmoil, etc) Though I’m over that, I’ve never put my sexuality into my work and so I’ve started drawing and painting African-American lesbians.

I love everything about gender-bending women who present themselves as more male than female to the public. They are my inspiration and I hope to honor the many things that they are, visually.

CandacePryor aka ARTacrobat, Raleigh, NC
Website: http://www.wix.com/artacrobat/candace#!home|mainPage
Twitter: https://twitter.com/#!/ARTacrobat

 

What Inspires You?
Ann Holsberry

One of the things that inspires me is old found papers I gather when I travel to other countries. My use of them in my art is not about sentimentality for the past; rather these ephemera evoke for me a feeling of the passage of time. I often use them with encaustic which provides both protection and a luminous veiled quality.

I am pleased that my work will be featured in an E-book, Encaustic and Paper: Twenty International Artists which will be published this year.

This is a photo of me in my studio with some old papers and French Notebook, one of my works in the background.

Ann Holsberry, Watsonville, CA
Website: http://www.annholsberry.com

Leave a Comment

What Inspires You?

In this feature, each month artists share one thing that excites them creatively.

One key piece to support healthy, productive creativity is stimulating inputs. What kinds of things stimulate the creative centers of the brain? What kind of inputs stimulate us visually? Emotionally? Spiritually? Mentally? Physically?

I’d really like to know, what’s one thing that fills your creative cup?

If you’d like to be part of this feature, send an email to info@themindfulartist.com. Include a sentence or two about one of your key inspirations. Please include some photos – either to illustrate your inspiration, to share your artwork with us. We especially love pictures of YOU! We want to feature YOU and your work so please send a link to your blog or website or flicker page.

What Inspires You?
Josie Rodriguez

I am often inspired by the obscure or the ordinary, sometimes the everyday.

I honestly think that artists see things differently. I have never imagined that I would ever call myself an artist but here I am creating and making art. When I see something that inspires me, my mind moves in a methodical way, and I begin to write down or sketch ideas. It is an exciting moment and I love how I feel when that happens.

Just today I thought of an idea. I noticed that my body went into a sort of meditative state. I felt calm and quiet and very focused. This especially happens when I create an artist book or assemblage.

There is a quote that says, Creativity Takes Courage. I believe that to be true for me as I take an idea and move it through the process until completion no matter how crazy it seems. Visually I am stimulated by the many designs of nature, emotionally by the events of the world, spiritually by the creativity of others, mentally by what I read or think about.

Josie Rodriguez, San Diego, CA
www.josierodriguez.com
http://josierodriguezartblog.blogspot.com/

 

What Inspires You?
Carol D. Smith

What inspires my figurative art? The joy that comes from those one-of-a-kind life connections to the spirit, energy, and emotional vibes my subjects transmit. But what about landscapes or still lifes? Connect to the stream of ideas or memories evoked by the scene.

While painting my violin handed down to me from my mother, I visualized my mother as a child playing this same violin, and with this connection, my brushstrokes danced!

Carol Smith, California

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Keeping an Open Heart in the Face of Disappointments

Part of being an artist is riding the natural ups and the down cycles. There will be high times (we are getting published, in shows, having sales, or accolades and inevitable lower times (we didn’t accepted into a show or get the grant, or residency or what have you).

A while back, I watched a documentary called “How To Cook Your Life”, a film about Edward Espe Brown, a zen priest who was the head tenzo, or cook, at the Zen Buddhist retreat, Tassahara.

There were many pearls in this film, but one that struck me was when he spoke of life’s disappointments. I will paraphrase, but basically he said, that we hold in our hearts our dearest, most precious wishes for ourselves – for our happiness.

And then in life, we encounter inevitable heartbreaks and pain. When things don’t turn out the way we want we try to control or defend ourselves from the disappointment we feel.

So we begin to separate ourselves from our heart’s desires. And in doing so, we actually separate ourselves from our heart.

And while we may succeed in insulating ourselves from future disappointments, we create a much deeper chasm. We begin to feel an ache inside; a longing. And no matter how many material trophies we acquire it doesn’t go away. Because we have separated from our heart.

We all guard our hearts so zealously. We are so careful about whom we open them to. We are so afraid of breaking them.

This is an exercise in futility. In this life, the heart will break.

It will break open and grow bigger.

It will break like the sunrise. It will break like a wave. It will not be destroyed.

What destroys us is keeping our hearts locked up in armor of fear. This fear of being open and vulnerable doesn’t allow our hearts to grow.

The irony is this. We are not meant to protect out hearts. Our hearts are meant to protect us. When the heart is open and loving it is free of fear.

There is no stronger “protection” than a fearless heart.

Yearn (detail) © 2004 watercolor, acrylic, gouache on panel

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