Is your work important? Does it matter? Why bother?
I strongly recommend that every artist I mentor have a website or at least blog to share his or her work with the world. One of the artists I worked with once asked me:
“Who in the world needs another blog from a half-hearted artist?”
Who, indeed?
Who are we to say what the world needs or doesn’t need? It’s important to be able to step back from that voice and to recognize it for what it is. It’s the voice of our ego. Our ego prefers to be liked, to stay safe and protect us from criticism or negative reaction.
I want to remind you of your power as an artist. The power art has in general. Whether our audience is large or small, we all have the potential to positively impact others lives with what we do.
While the ego likes to stay safe it is also attracted to the seeming glamour of celebrity and fame. It’s a strange dichotomy, isn’t it?
So unless we are really, really big, unless lots and lots of people like and admire our work, it doesn’t seem worthwhile.
Take a moment now to recall anyone who has expressed even the smallest appreciation for something you have created. A brief compliment, an email, a note, a thumbs up.
Now savor that moment slowly for what it was. Really feel into it and allow it into your being, your body, your heart.
You touched another person’s heart, even for that moment, in some humble way.
Where there was one, there could easily be hundreds. (It’s a big planet, you know.)
It is tempting to keep things safe and play a small and familiar arena. It’s tempting to avoid the risk and vulnerability of putting ourselves and our work out for the world to see. It is so much easier. We need not take the time nor make the effort.
But how do you know that someone wouldn’t be inspired by, love, or really want to see your blog? How do you really know this?
Aren’t there plenty of other artists who have inspired you? Are you glad for their online presence? Isn’t it wonderful to live in an age where we can access inspiration from other artists’ work past or present with the click of a mouse?
Who are your favorite artists of all time? How would your life be different if your favorite artists had never pursued their work and committed to getting it out to the public?
What it takes is commitment. I think the key word in this artist’s question was “half-hearted”. I know the asker of this question to be a truly dedicated and committed artist with wonderful gifts to share.
However, if we go about creating a website or instagram only half-heartedly, then most likely neither we nor our potential viewers will gain satisfaction from it. Beyond the content, the energy behind the content will be lackluster.
However, if we commit ourselves to it, even if we can only post once a month and we do our best to get the word out and share it with the world, I am convinced that we can touch others in a meaningful way. People will be drawn to our enthusiasm and what we have to offer.
When we do things without true commitment they lack that power of our own intention. If things don’t work out how we expected, we have no reason to continue or follow-through.
The ego likes this because we stay in our safe zone. We don’t expose ourselves to criticism or perhaps worse for the ego, neglect.
When we are committed, we will do whatever it takes.
I invite you to share a moment where you persisted, or how you overcome the urge to give up in the comments below. Your story makes this a community and can help others.
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Feeling unsure or insecure about your work?
I was recently an artist-in-residence in Northern California where I had the chance to learn letterpress along with other printmaking techniques. All the processes I learned were brand new to me and I enjoyed the challenge of incorporating them into my oeuvre. After twelve intense days of printmaking, the residency culminated in a public exhibition. Because it was such a quick turnaround, I hadn’t really had time to fully resolve one of my pieces and get it to a place where I felt complete. I decided to show it anyway.
Because I wasn’t sure how I felt about it, I started to worry about what other people would think about it and how well it would be received. These were uncomfortable feelings that I hadn’t experienced in a while.
But after taking some time to reflect, I realized that it is important to me that my studio practice continues to grow and change. Staying stagnant or doing the same thing over and over again doesn’t feel energizing to me. There will be times when I make things that I don’t like.
As artists, it’s important for us all to remember that we need to be ok with being uncomfortable. This is what leads to new discoveries or solutions. Sometimes the hardest part of being in the studio is setting our ego aside. You can’t predict how someone will feel about your work and at the end of the day, that isn’t your job. Your job is simply to create.
I invite you to join the conversation. How do you handle feelings of insecurity when they crop up? Share with me and the mindful artist community in the comments below.
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The Importance of Creating Community
Making art is by nature an isolating activity. The majority of artists work alone and need quiet time in the studio to focus and concentrate, to allow ideas to bubble up, to experiment freely without prying or inquiring eyes. When I go to my studio, I like to close the door, turn off the phone, shut out the world and enter a deep, almost meditative state of concentration.
Although the creative work itself may necessitate alone time and privacy, the life of an artist needn’t be lived in isolation. In fact, our success depends on the connections we cultivate. I’m not simply referring to “meeting the right people” – the influential ones who can give us something, or move our work forward. My daily life is made full by my rich community of artist friends.Which means I spend many hours of my day completely alone.
Wherever you go or decide to live, cultivating a community of like-minded individuals will nourish your work. Unlike others, your artist friends will not be insulted when you choose to go to your studio on a Friday night instead of joining them at the movies.
When you are going through of periods of scant or no recognition, having no shows on the horizon, no grants to sustain you, no gallery to promote you, who will remind you how much it matters to keep doing the work?
I am fortunate to be married to a musician with a very down-to–earth philosophy on being an artist. If ever I begin to feel down-and-out, sorry for myself, or under-appreciated, he looks me in they eye and says “You are doing it for yourself, right?” and then I feel more on track. While I am not exactly doing it for myself (I sincerely want other people to benefit from my work), he reminds me that I am not in it for fame or acclaim.
Who will understand why you are devoting a large portion of your income to studio rent? Or to some ambitious five-year project? Lots of people will not relate to your lifestyle, nor will they understand it.
When the outside world seems indifferent to your creative output, your artist friends will remind you to keep at it. They won’t necessarily do this by saying so, but you will observe them making their own work, devoting their time and energy to it, and this will buoy you onward.
I invite you to share your thoughts with me in the comments below. How do you build your community as an artist? Who are the people that support your practice?
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The Pernicious Inner Critic
The inner critic is something we are all familiar with. That little voice in our head that sows seeds of doubt that begin to question our creativity.
I’ve been working on a series of watercolors that I recently started to have doubts about. My inner critic started saying things like, “These colors are too basic” or “The colors aren’t sophisticated enough.” It wasn’t enough to make me stop working, but those seeds of doubt were there.
However, after seeing the Hilma af Klint’s show at the Guggenheim, I had an “a-ha” moment – we were using a very similar palette! I realized that the little voice had gained traction in my head and it was time to turn away from it and embrace the decisions I was making in my work.
It’s so easy for that inner critic to creep into the studio. Sometimes it’s helpful – it pushes us to ask questions, but it can also slowly take over and drown out our positive sense of self.
Do you struggle with an inner critic? It’s something we all experience from time to time. I invite you to share your experience in the comments below and how you have managed to turned it around.
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Some Thoughts on Success: Is That All There Is?
Today I’m bringing back a post from my archive that explores why we may feel dissatisfied when we reach goals or achieve success, and how to find validation in the present moment. Enjoy!
A dear artist friend of mine recently finished a major commission. (SO excited for her and proud of her!) However, she mentioned she’s feeling a little let down after all the hard work she put in to get it finished on a tight deadline. She’s left with that feeling: Is that it?
It reminded me of a story I heard about an artist who achieved the distinction and recognition of being included in the Whitney biennial in her early 20s- an achievement that many contemporary American artists covet and aspire to. And yet, as she was riding the bus after the opening and she described an empty feeling and a similar thought. So that was it?
(Depending on where you are right now with your career you may be saying to yourself, If only I had such problems!)
But this kind of post-event let down brings up a question all of us face: Why are we doing this stuff in the first place? Because I’m sure many of you, like me, have these benchmarks – things we want to achieve because we think we’ll feel better when we get them.
I’ll be really happy when…
I get in that gallery.
Someone buys my work.
I get in the Whitney Biennial.
We might get so caught up in reaching that goal, completing a body of work or preparing for an exhibition that we forgot to feel happy with where we are right here and now. We may neglect to appreciate the present moment and our current situation.
I know in my own life I have had different dreams for my art. For instance, when I was in my 20s I always wanted to travel abroad for my art and have shows in different countries. I dreamed of exhibiting my work in museums. Now that I’ve achieved these things I want even bigger things. I want to be in bigger museums and better known venues. I compare myself to others who have achieved things I have not and I forget to appreciate all that I have created and all that I have achieved. This isn’t good enough. What’s next?
There are always things to appreciate no matter where you are in your career. It’s great to always be looking forward and to have big dreams visions and goals to help us move forward.
But actually the true joy and excitement is in the day-to-day!
We live only in the present moment.
Honestly, nothing else exists. Everything else is just dreams (the future) or memories (the past).
We got in this racket to enjoy the creative ride!
Every dream or goal is to inspire some kind of fun action that we can savor while we are in the moment.
Moment by moment by moment.
Contrary to popular myth it’s not about some kind of arrival, some pinnacle, some accomplishment.
Think for a moment about all the unfulfilled dreams and wishes you have currently for your creative or professional life. Now ponder what exactly is it that you hope you will feel when you’ve achieved this dream? Will you feel more successful? Will you feel happier because you’ll feel validated as an artist? Will you feel better when your work is recognized? Or that other people will take you more seriously as an artist?
Is there a way you can validate yourself right now? How can you appreciate or recognize yourself as you are in your current state?
Now, pause to savor this very moment. Breathe deeply. Feel your body against the chair, hear the hum of your computer. Receive the sounds around you near and far. The drip of the faucet, a bird, the neighbor’s thumping bass? Notice the colors and textures in your vicinity. Close your eyes and allow a faint smile to lighten your lips. Can you keep breathing and relaxing until you can touch on the exquisiteness and the preciousness of this present moment?
I’d love it if you’d share in the comments below something small (or big!) that you treasure and cherish in your current life. Be it the fact that you are blessed to have a box full of art supplies to make your work, or the fact that you have a space to work in or the fact that you have these gifts or skills or you have a family member or a friend or a teacher who is supportive of your endeavors.
Isn’t it wonderful that I have this connection to my creativity?
How great it is that I have had ideas and new ones keep flowing through me!
Isn’t it sweet that I am reading this article because I’m committed to supporting myself mentally, emotionally spiritually as a creative person?
Whatever it is, I invite you to appreciate that now and do not let go of your dreams!
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What’s my opinion of your art?
I often have people write to me asking me to critique their work or give them pointers. I am always honored by these requests and that someone trusts me to give them feedback on their work.
However, this is not something I allow myself to do in this forum or on social media and here is why:
- I often don’t have a context for someone’s work and what they are making without knowing them first.
- I am not the best judge of what is worthwhile for you!
It is common to get to a point where you may feel like you need some technical training or new knowledge in order to grow. I encourage anyone that is at this place to find a local teacher or class where you can continue to learn, ask questions, and test materials. Having someone physically present to look at your work is important.
But when it comes to determining though if your work is “good” or whether you should keep going, this is something you must dig deep and answer for yourself. It is my strong belief that if you feel compelled to make something, then that is enough! It is not for anyone to judge how you spend your time and what is important. Making art and living the life of an artist is about sticking with it and being consistent. It’s about showing up for yourself.
As a teacher, what I want you to take away is the notion that YOU decide what matters. What anyone else thinks is irrelevant. At the end of the day what matters is that your art gives you joy.
Help me keep the conversation going about this. Share your thoughts with me in the comments section and what we can do to give each other a boost!
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